Build it once.
Then it runs.

Most of an agency retainer pays for time and coordination: account managers, briefs, review rounds and the meetings between them. The making itself is a smaller slice than people expect. We cut the coordination and keep the whole thing under one roof. You pay for the work and the judgment, not the overhead around them.

Nearly two decades of art direction sits in front of every piece, and AI is a tool inside that, not a replacement for it. Your templates, type, color and motion get built for your business specifically during setup, which is why month two onward looks consistent instead of looking generated. Open the work page and judge it directly.

Tap the post in the dashboard and say what is wrong. We remake it. No cap on that, no change orders. Getting the voice right in month one is exactly what makes every month after it run cleanly, so that work is the point rather than an inconvenience.

No. It helps, and your own photos always make the strongest posts, so we make it as easy as dropping them in one shared folder with no naming or sorting. But if you send nothing all month, the full month still goes out.

About five minutes a month to approve, plus whatever time it takes to drop photos in a folder, which is close to zero. No status calls, no briefs to write, no review rounds to sit through. That is what it feels like to be the client.

Month to month, cancel whenever. No contract to get out of and no notice period to serve.

The published rate rises as the engine gets better and as the studio fills up. Your rate moves with it and stays underneath it for as long as you stay a client. You start a third under, which is what every price on the pricing page reflects today. We deliberately did not freeze your price at a number, because that is the version where a five-year client eventually finds out they pay half what a new one does, and that arrangement never survives the discovery. This way you are always under the published rate and nothing about it is awkward. Every change reaches you thirty days ahead, never mid-month.

Because that is how many businesses one senior director can hold to this standard while the work is still being tuned to each of them. It is a capacity limit rather than a sales tactic. When the eight are full the published rate is what is on offer, and the eight keep their discount.

No, and you would not want it to. Ad spend is your budget, paid directly to Meta, Google or TikTok, and you decide how hard to push, month by month. The Agency covers everything around it: strategy, audiences, campaign builds, the creative, dashboards and reporting. Your management fee is flat to $2,000 a month of spend, then 15% of spend above that, so it only grows when the machine does.

The plan dashboard shows attention: reach, views, likes, saves, shares and follower growth, live, across Instagram, Facebook and TikTok. That tells you how the content is doing. The Agency dashboard adds what happens after the click: site traffic, leads, calls, bookings, cost per result, and which post or ad produced them. The platforms cannot show you that on their own, because the moment someone leaves Instagram, Instagram stops watching. The monthly strategy call is where those numbers turn into decisions about where the next dollar goes.

Because a rushed campaign is a worse campaign. Sixty days is enough runway to plan properly, shoot or build what it needs, and roll out three weeks of build-up before the date. Six of those a year beats twelve thin ones, and your regular content never stops running underneath. If you need an extra one in between, it is $2,400 at the founding rate.

Tell us anyway. Inside 30 days we build what the time allows, in order: the thing you post first, then the film, then the ramp. What we will not do is promise a full campaign in a week and hand you a thin one. The 30 days is not a rule to hide behind, it is the point where a campaign stops being a scramble.

Yes, and most businesses should. Get the content running first, then turn on the paid side once there is a library of creative worth spending money behind. It goes on either plan, takes effect the next month, and comes off the same way.

The Build is where your templates, content pillars, voice rules and animated logo get made, your existing brand and photos get assembled into a kit the engine reuses, and your accounts, calendar and dashboard go live. It is $600 once. After it the groundwork never gets rebuilt, so every month the effort goes into the thinking and the work itself, which is why a month can cost what it costs. Skip it and every month turns back into a custom project, priced like one.

They are not two bills. The Build, $600, sets the engine up against a brand you already have: templates, pillars, voice, your animated logo, your accounts and dashboard. The Brand Build, $3,000 at the founding rate, is that same setup plus the brand itself getting made, which is most businesses, because most have a logo and not much else. Logo and identity, color and type, the full motion kit, print foundations and a guide anyone you hire later can follow. You pick one. The Brand Build replaces the Build rather than stacking on it, because half the Build is work the Brand Build is already doing.

You pay $3,000 at the start and everything gets made straight away, brand included, because content built on a brand that does not exist yet is worse content and you should not spend six months finding that out. Then $500 comes off each of your first six invoices. Six months in, all $3,000 is back in your pocket and every bit of it is yours. If you leave at month three you keep everything and you have paid $1,500 for it, which is still under half the published price. There is nothing to pay back, nothing to sign, and no month where the bill goes up as a result.

Because they are worth more to you than to us. A brand and a site are made once and then they just exist, which makes them the cheapest possible way to earn a long relationship, and a long relationship is the entire business model here. It is also the honest version of a loyalty offer: assets you keep, rather than a discount that quietly gets clawed back, or a contract that makes leaving expensive.

No. The Build sorts the photos you already have into a kit the engine reuses every month. If you want new ones made, a photo or video day is a day on location shooting stills and footage, quoted against where you are and what it needs. Plenty of businesses run for months on what they already have, so start there and add a day when the library runs thin.

Your product gets built once as an exact 3D model, matched to the real thing from your photos and measurements. The kit that comes back: six hero stills on backgrounds designed for your brand, three looping motion shots cut for reels and ads, and transparent cutouts from every angle for your site, menus and print. The model is yours and stays on the shelf, so new angles, colorways and seasonal scenes after that cost a fraction of the first pass, because the expensive part is already done. From $1,200 published, $800 at the founding rate, per product.

It answers visitor questions at any hour, in your voice, and always hands people your phone number, your email and your booking link rather than leaving them to hunt. It learns your business from documents you drop in: price sheets, service lists, the questions you answer twenty times a week. When it gets something wrong you correct it from your dashboard and it stays corrected. Every conversation that looks like a real lead lands in front of you with the transcript attached, so a question asked at eleven at night is a lead in the morning instead of a visitor who left. It is $200 a month at the founding rate, on either plan.

They do opposite jobs. A social post is worth the most the day it goes out and close to nothing a month later. A blog post gets found by someone typing a question into Google two years from now, and it keeps getting found. Two a month is $300 at the founding rate, written for the searches your customers actually make rather than the ones that sound impressive, published straight to your site. They also feed the AI assistant, which answers out of the same material.

Yes. A site is five to eight pages, written, designed, built and live on your domain, from $3,000 at the founding rate, and it is free at month twelve if you would rather wait for it. The part worth knowing is what happens next: if we built it, hosting and up to two hours of changes a month are included in your plan from then on, at no extra cost. New page, new prices, a season change, you ask and it is done. Most businesses pay someone separately to sit on a site nobody touches. Yours lives where the content is made, which is the only reason it stays current.

Nearly everything you will ask for. Most changes take ten or fifteen minutes: new prices, a new team photo, updated hours, swapping a headline, adding a service. Two hours a month is roughly eight to twelve of those, which is more than almost anyone uses. It is stated as a number so neither of us has to guess where the line is, not because we are counting. If a month genuinely needs more, we say so before doing it and it is quoted, never billed as a surprise. A whole new page or a section rebuilt from scratch is its own thing, and it gets priced like one.

You do. All of it, including source files, event brand kits and any ad accounts, whether you stay one month or five years.

Pause any month, for up to three months at a time. It takes effect at your next billing date rather than mid-month, because the month you are in was already made before it started. Coming back takes about two weeks of notice, for the same reason: tell us by the 15th and the next month runs, tell us on the 28th and you start the month after. Nothing gets deleted while you are away. Your brand kit, templates, voice and any banked campaigns are exactly where you left them, so restarting is immediate rather than starting over. The one thing to know is that a pause pauses everything, including your setup earn-back, so if you pause for two months your sixth month becomes your eighth.